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AUDIOLAB 6000A Review: Awesome Audiolab

The rear includes both digital and analogue inputs as well as an antenna for Bluetooth reception.

A mixed built-in amplifier/DAC from Audiolab units a brand new commonplace at its worth, says Jon Myles.

Audiolab has cast an spectacular status for its vary of M-DAC digital to analogue convertors in recent times. A lot in order that a few of its different merchandise have flown a bit of beneath the radar.

The rear includes both digital and analogue inputs as well as an antenna for Bluetooth reception.

The rear consists of each digital and analogue inputs in addition to an antenna for Bluetooth reception.

However the brand new 6000A is designed to vary that. It’s a stereo amplifier with a claimed energy output of 50 Watts per channel (see Measured Efficiency for full particulars).

Additionally it is slim and trim – measuring 6.5cm x 44.5cm x 30cm (H/W/D). However there’s extra to it than that. The 6000A additionally options digital inputs (two optical, two co-axial) trickled down from the M-DAC vary with an ESS Sabre DAC on the core. There’s additionally a pair of shifting magnet phono inputs plus three line-level analogue inputs. Add in Bluetooth functionality and I couldn’t assist however be impressed with this amplifier’s vary of options.

Additionally, in case you are utilizing the digital inputs there are three digital filters (sluggish roll-off, quick roll-off and minimal part). Personally, I most popular the sluggish roll-off which appeared barely extra detailed however it’s value experimenting with all three to seek out which works greatest together with your partnering gear and personal tastes. Design-wise it’s typical Audiolab

  • nothing too flashy or excessive however a minimalist fashion the place type follows perform. Three rotary controls on the entrance help you management mode, enter and quantity
  • which may all be replicated by way of the provided distant management – whereas

a slim LED display brings up primary info resembling which enter is getting used.

It’s well-constructed with an aluminium entrance panel and durable metallic casework behind. In all it seems to be costlier than its price ticket.

SOUND QUALITY

Connecting the 6000A to a pair of standmount Spendor Als and enjoying CDs it was clear to me simply how assured this amplifier sounds. Neil Younger’s ‘After The Goldrush’ noticed his vocals pushed properly to the fore with a stunning sense of presence. Nevertheless, beneath that the backing drums and guitars have been excellently laid out – giving the entire album a way of vibrancy. Edges of notes have been crisp whereas bass was taut and tight with out being overblown. There was an natural, flowing nature to the sound that not all amplifiers at this worth can handle.

Switching to excessive decision by way of an Astell&Kern participant the Audiolab had the power to convey out the additional info available. For instance, the piano notes on Keith Jarrett’s reside ‘Paris/London Testomony’ (24/96) felt reasonable and the main edges have been fantastically rendered. Higher nonetheless, the decay within the notes gave an environment to his enjoying.

Contained in the Audiolab there’s a Class A/B energy amplifier with linear energy provide and an ESS Sabre DAC – plus Bluetooth connectivity.

It was comparable with Robert Wyatt’s model of Elvis Costello’s basic ‘Shipbuilding’ the place his plaintive, high-pitched vocals have been excellently relayed and the piano backing had timbre and physique.

However whereas the Audiolab does delicacy nicely it’s also capable of deal with extra upbeat tracks with aplomb. Loading up The Jesus And

Mary Chain’s ‘Upside Down’ there was super propulsive thrust on supply. Tempo was snappy, instrumen­tation clear and there was no pause for breath because the monitor charged alongside.

All this was greater than sufficient for me to attempt a slice of Led Zeppelin with ‘Immigrant Track’. Once more I might hear each single factor of the monitor – John Bonham’s drums cracked sharp, John Paul Jones’s bass line was distinct however not too intrusive whereas

The rear consists of each digital and analogue inputs in addition to an antenna for Bluetooth reception.

Jimmy Web page’s staccato guitar riff overlaid every thing splendidly.

I might simply lay again and luxuriate in – which is what I did.

In some ways the presentation jogged my memory of the Naim Nait5si – an amplifier that prices virtually twice that of the Audiolab. The Naim in all probability has a bit of extra punch however when it comes to general element there’s little to decide on between the 2.

Turning to Bluetooth there was an apparent drop

“Loading up The Jesus And Mary Chain’s ‘Upside Down’ there’s a large propulsive thrust on supply”

in sound high quality, some tracks dropping their definition and depth. That stated, Bluetooth is extra about comfort than absolute hi-fi high quality and it’s a good function to have. Moreover the 6000A paired instantly with my iPhone and by no means as soon as misplaced the connection.

However to get one of the best out of this Audiolab I’d advise utilizing it for its main function – as the guts of a superb hi-fi set-up. Merely pay attention and luxuriate in.

CONCLUSION

As amplifiers go you’ll be arduous pressed to beat this Audiolab for its versatility – however most significantly its sound high quality. It has delicacy however may even pump out arduous rocking beats when wanted. Digital connectivity and a worth of simply £ make it an amazing discount.

MEASURED PERFORMANCE

Energy from the Audiolab 6000A measured 50 Watts into eight Ohms and 86 Watts into four Ohms, sufficient for very excessive quantity. The facility provide has good regulation and a excessive for agency, punchy bass.

Frequency response was flat from a low 1 Hz as much as 100kHz and distortion very low at Zero.003% from low ranges (circa 1 Watt) all the best way as much as full energy, into each four Ohm and eight Ohm masses. The crucial 1W/four 0hm/10kHz determine, a measure of crossover distortion, was additionally low at Zero.01% – as our distortion evaluation exhibits.

The Phono stage wanted 1.3mV for full output, the place 5mV is widespread. This makes it appropriate for top output shifting coils (MC) in addition to shifting magnets (MM). Enter overload was excessive at 50mV. Equal enter noise (e.i.n.), a real measure of noise you hear at any quantity setting, was a really low 1 muy V – quiet sufficient for shifting coil cartridges. Frequency response measured flat right down to 20Hz (-1 dB) a warp filter rolling off achieve to -7dB at 5Hz to reduce loudspeaker cone flap. An impressively good phono stage – higher than most.

The S/PDIF inputs (elec. & choose) each accepted 192kHz pattern fee PCM, frequency response measuring flat to 40kHz (-1 dB) earlier than roll off to the higher theoretical restrict of 96kHz.

Distortion from 24/96 hi-res PCM measured a mediocre Zero.08% from each preamp out and loudspeaker out. EIAJ Dynamic Vary was on the low aspect at 113dB (pre out and Is out) with 24bit the place 115dB or higher is now widespread. With CD that is inconsequential, on account of 16bit quantisation noise, however with ‘quieter’ 24bit it’s not so good. Bluetooth measured 99dB EIAJ dynamic vary as is widespread and flat frequency response to 20kHz, so labored very nicely.

The Audiolab 6000A measured nicely in all areas besides its digital enter. Right here it’s fantastic for CD however not for prime hi-res outcomes.

AMPLIFIER

Energy                                            50W

Frequency response (-1 dB) 1 Hz-50kHz Distortion (10kHz, 1W)               Zero.01%

Separation (1kHz)                          96dB

Noise (IEC A)                                -98dB

Sensitivity                                  300mV

DIGITAL

Frequency response (-1dB) 5Hz-40kHz Distortion (-60dB, 24bit)               Zero.08%

Dynamic vary (EIAJ)                  113dB

Noise                                         -112dB

PHONO

Frequency response (-1dB) 5Hz-20kHz

Distortion (1kHz, 5mV in) Zero.06% Separation (1kHz)  67dB

Noise (IEC A)                                -69dB

Sensitivity                                   1.3mV

Overload                                      50mV

FREQUENCY RESPONSE

DISTORTION AUDIOLAB 6000A

OUTSTANDING – amongst one of the best.

VALUE – keenly priced.

VERDICT

10 Complete Rating

An outstanding performer – probably the greatest amplifiers you should purchase at this worth.

PROS

  • flexibility
  • element
  • Bluetooth
  • rhythmic capability
Consumer Score: Be the primary one!

The place to purchase?

Audiolab 6000A 100-watt Stereo Integrated Amp/Bluetooth DAC - BlackAudiolab 6000A 100-watt Stereo Integrated Amp/Bluetooth DAC - Black

Audiolab 6000A 100-watt Stereo Built-in Amp/Bluetooth DAC – Black

Achieve (max.) +8dB (Line) +55dB (Phono MM) Enter Sensitivity 720mV (Line, Quantity = 0dB) three.1mV (Phono MM, Quantity=0dB) Enter Impedance 10Okay (Line) 47Okay//100pF (Phono MM) Complete Harmonic Distortion (THD) 110dB (Line, A-weighted) >76dB (Phono MM, A-weighted) DAC D to A converter ES9018K2M Complete Harmonic Distortion (THD) 112dB (A-weighted) Digital Filters Quick Roll-off , Sluggish Roll-off , Minimal Part Energy Amplifier Part Achieve +29dB Rated Max. Energy Output 2 X 50W (eight ohm, THD<1%) 2 X 75W (four ohm, THD<1%) Frequency Response 20Hz-20kHz (+/-Zero.3dB) Enter Sensitivity 720mV Complete Harmonic Distortion (THD) 110dB (A-weighted) Max. Output Present 9A Headphone Amplifier Complete Harmonic Distortion (THD) < Zero.01% (1kHz, 50mW) Output Impedance 2.35 ohm Load impedance 20-600 ohm Basic Standby Energy Consumption <Zero.5W Energy Necessities 115V ~ 50 – 60Hz 100V ~ 50 – 60Hz Dimensions (mm) (W x H x D) 445 x 65.5 x 300 Carton Measurement (mm) (W x H x D) 512 x 467 x 146 Weight 7.8kg (Internet)

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Final replace was on: 2019-01-04 5:49 pm

Audiolab 6000A Integrated Amplifier (Silver)Audiolab 6000A Integrated Amplifier (Silver)
Audiolab 6000A Integrated Amplifier (Silver)Audiolab 6000A Integrated Amplifier (Silver)

Audiolab

+44 (Zero) 1480 447700 www.audiolab.co.uk

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